2-T10 The Oral Interpretation of Literature: Unterschied zwischen den Versionen
Aus Jugendsymposion
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K (hat „T10 The Oral Interpretation of Literature“ nach „2-T10 The Oral Interpretation of Literature“ verschoben) |
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| − | == | + | == Kursleiter == |
| − | + | Peter Lutzker | |
== Kursbeschreibung == | == Kursbeschreibung == | ||
| − | + | These sessions will offer an introduction to the possibilities of performing different forms of literature. We will begin each session with a range of drama 'warm-up' exercises: afterwards, we will work with poetry, drama and short stories and actively explore different ways of bringing them 'off the page' and into the realm of presentation and performance for an audience. | |
| − | + | (We will be working in English, but these are not English lessons and participants should not worry about making mistakes, or about their English not being good enough; this kind of workshop only requires openness and a willingness to experiment artistically in a foreign language. Maximum 14 participants) | |
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== Teilnehmerbericht == | == Teilnehmerbericht == | ||
| Zeile 13: | Zeile 11: | ||
== Links == | == Links == | ||
| − | * Zur [http://wiki.jugendsymposion.de/intern/index.php/2- | + | * Zur [http://wiki.jugendsymposion.de/intern/index.php/2-T10_The_Oral_Interpretation_of_Literature Teilnehmerliste] |
* Zurück zum [[2. Kasseler Jugendsymposion »Geld«]] | * Zurück zum [[2. Kasseler Jugendsymposion »Geld«]] | ||
* Zum [[1. Kasseler Jugendsymposion »Wirklichkeit«]] | * Zum [[1. Kasseler Jugendsymposion »Wirklichkeit«]] | ||
Aktuelle Version vom 16. Juni 2010, 10:47 Uhr
Inhaltsverzeichnis
Kursleiter
Peter Lutzker
Kursbeschreibung
These sessions will offer an introduction to the possibilities of performing different forms of literature. We will begin each session with a range of drama 'warm-up' exercises: afterwards, we will work with poetry, drama and short stories and actively explore different ways of bringing them 'off the page' and into the realm of presentation and performance for an audience.
(We will be working in English, but these are not English lessons and participants should not worry about making mistakes, or about their English not being good enough; this kind of workshop only requires openness and a willingness to experiment artistically in a foreign language. Maximum 14 participants)
